Mark Making



I’m of two minds; do I draw with full adherence to the process and the medium, leaving the work, in essence, undone (like Picasso & Van Gogh) or do I layer, blend and burnish until the surface has no recogniseable marks, just a smooth luminescence (think Botticelli)?! I guess they both have their merits; which, in no way, helps me decide upon a mind set…

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